http://work.scharwath.com Keith Scharwath Tue, 04 Oct 2011 01:20:43 +0000 http://work.scharwath.com en http://work.scharwath.com/City-of-Santa-Monica http://work.scharwath.com/following/work.scharwath.com/City-of-Santa-Monica Tue, 04 Oct 2011 01:20:43 +0000 Keith Scharwath 2094658 Heal The Bay Trash Receptacles, Santa Monica, CA<img src="http://payload.cargocollective.com/1/0/27549/2094658/SouthCan_860_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/2094658/SouthCan_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/2094658/gothic_typeface_860_860.jpg" border="0" width="860" height="464" width_o="860" height_o="464" src_o="http://payload.cargocollective.com/1/0/27549/2094658/gothic_typeface_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/2094658/TOES_860_860.jpg" border="0" width="860" height="223" width_o="860" height_o="223" src_o="http://payload.cargocollective.com/1/0/27549/2094658/TOES_860_o.jpg" align="left" /> Project DescriptionEarly this year I was asked by DDB Los Angeles and Heal The Bay to help out with a graphics package that supports clean beaches in Santa Monica, CA. The cans feature an illustrated graphic and custom typeface adapted from hand-painted letterforms. Heal The Bay is a Santa Monica-based non profit organization that seeks to renew and protect the unique ecosystem that surrounds L.A. County's most popular beaches. City of Santa Monica Press ReleaseCompletedApril, 2011DesignKeith ScharwathCreative DirectorMatt Reinhard<img src="http://payload.cargocollective.com/1/0/27549/1522091/zig_zag_r2_860_860.png"> http://work.scharwath.com/GOOD-Los-Angeles-Issue http://work.scharwath.com/following/work.scharwath.com/GOOD-Los-Angeles-Issue Fri, 03 Jun 2011 02:34:36 +0000 Keith Scharwath 1537358 GOOD 024 The Cities Issue Starring Los Angeles<img src="http://payload.cargocollective.com/1/0/27549/1537358/gd023_Cover_031511.jpg" border="0" width="650" height="844" width_o="650" height_o="844" src_o="http://payload.cargocollective.com/1/0/27549/1537358/gd023_Cover_031511_o.jpg" align="left" /> Project DescriptionGOOD 023, The Cities Issue Starring Los Angeles, is my third as Art Director with Atley G. Kasky. GOOD is a quarterly magazine made for, and by, people who want live well by doing good. The framework for the design, originally created by Scott Stowel's Open studio, is versatile and elegant. With each issue, we slightly tailor the typography and graphic style to the theme. We also work with a bevy off talented illustrators, artists and photographers in each issue.<img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0194_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0194_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0164_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0164_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/May 10- 2011 - 090_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/May 10- 2011 - 090_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0167_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0167_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0169_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0169_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0179_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0179_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0181_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0181_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/May 10- 2011 - 100_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/May 10- 2011 - 100_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/May 10- 2011 - 116_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/May 10- 2011 - 116_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0184_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0184_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0185_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0185_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0189_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0189_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0196_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0196_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0201_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1537358/DSC_0201_o.jpg" align="left" /> This issue, which examines cities from the perspective of L.A., holds a special place in my heart. We used only Los Angeles resident or native artists, and got some of the best to participate. Ed Ruscha, Geoff McFetridge, Mark Giglio, Cali Thornhill DeWitt, Amy Martin, Bobby Solomon, Andrew Holder, Ely Kim and Jordan Crane all have artwork on these pages.Read the L.A. Issue on GOOD.isCompletedApril, 2011Art Direction & DesignKeith ScharwathAtley G. KaskyDesignDylan C. LathropCover ConceptKeith ScharwathCover PhotographyJonathan Sager<img src="http://payload.cargocollective.com/1/0/27549/1522091/zig_zag_r2_860_860.png"> http://work.scharwath.com/GOOD-Corps-Website http://work.scharwath.com/following/work.scharwath.com/GOOD-Corps-Website Fri, 03 Jun 2011 02:34:35 +0000 Keith Scharwath 1538059 GOOD/Corps Website<img src="http://payload.cargocollective.com/1/0/27549/1538059/good_corps_5_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/1538059/good_corps_5_o.jpg" align="left" /> Project DescriptionGOOD/Corps is a new division of GOOD that helps organizations align their strategy with impact, profit with progress. Creative Director Kirk Souder and GOOD/Corps lead Sebastian Buck asked Altey G. Kasky and I to create a website that retained GOOD's considerable design equity but also focused in on their innovative cause-based take on a traditional agency. We built the site on the Cargo platform for maximum flexibility. The GOOD/Corps site may be one of the most innovative uses of that platform yet. With the help of Cargo front-end developer John-Kyle Mohr, we built a completely customized site that can be edited using the Cargo interface. The animated scrolling works via HTML5 and all of the fonts, including GOOD’s signature Trade Gothic, are embedded webfonts. Launch GOOD/CorpsCompletedApril, 2011DesignKeith ScharwathAtley G. KaskyDevelopmentJohn-Kyle Mohr<img src="http://payload.cargocollective.com/1/0/27549/1522091/zig_zag_r2_860_860.png"> http://work.scharwath.com/Illustration http://work.scharwath.com/following/work.scharwath.com/Illustration Thu, 02 Jun 2011 23:39:48 +0000 Keith Scharwath 338277 Holiday Card, 826LA, The Echo Park Time Travel Mart<img src="http://payload.cargocollective.com/1/0/27549/338277/hour_glass_rgb_560.jpg" border="0" width="650" height="910" width_o="650" height_o="910" src_o="http://payload.cargocollective.com/1/0/27549/338277/hour_glass_rgb_560_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/hour_glass_detail1_860.jpg" border="0" width="860" height="634" width_o="860" height_o="634" src_o="http://payload.cargocollective.com/1/0/27549/338277/hour_glass_detail1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/hour_glass_detail2_860_860.jpg" border="0" width="860" height="630" width_o="860" height_o="630" src_o="http://payload.cargocollective.com/1/0/27549/338277/hour_glass_detail2_860_o.jpg" align="left" /> The Echo Park Time Travel Mart is the storefront facade of 826LA. 826LA is a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.Available for purchase at the Echo Park TIme Travel MartCompletedDecember, 2010 Urban Developments, GOOD 019<img src="http://payload.cargocollective.com/1/0/27549/338277/buildings_final.jpg" border="0" width="650" height="904" width_o="650" height_o="904" src_o="http://payload.cargocollective.com/1/0/27549/338277/buildings_final_o.jpg" align="left" /> Illustration for a story in GOOD 019, The Neighborhoods Issue, "The Case Against Fake "Walkable Urbanism" written by Alissa Walker.Read the story on GOOD.is.CompletedMarch, 2010 Jobless Aguish, The New York Times Op-Ed, Letters Page<img src="http://payload.cargocollective.com/1/0/27549/338277/newspaper_scan_650.jpg" border="0" width="650" height="663" width_o="650" height_o="663" src_o="http://payload.cargocollective.com/1/0/27549/338277/newspaper_scan_650_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/KS_letters_650.jpg" border="0" width="650" height="694" width_o="650" height_o="694" src_o="http://payload.cargocollective.com/1/0/27549/338277/KS_letters_650_o.jpg" align="left" /> I was asked by the New York Times Op-ed page to create an illustration to run alongside letters from some severely fed-up unemployed individuals. Read the column on the New York Times site.CompletedAugust, 2010Art DirectorEd Nacional Obsessive Consumption, Kate Bingaman-Burt<img src="http://payload.cargocollective.com/1/0/27549/338277/OC_ks_650.jpg" border="0" width="650" height="841" width_o="650" height_o="841" src_o="http://payload.cargocollective.com/1/0/27549/338277/OC_ks_650_o.jpg" align="left" /> To celebrate the release of Kate Bingaman-Burt's bestselling book Obsessive Consumption, Frank Chimero asked a few friends to draw the book in their own style. Here's my entry.Veiw the complete set here.CompletedApril, 2010Project ConceptFrank Chimero Pictory, Neighborhood Treasure<img src="http://payload.cargocollective.com/1/0/27549/338277/pictory_r1_16_860.jpg" border="0" width="860" height="454" width_o="860" height_o="454" src_o="http://payload.cargocollective.com/1/0/27549/338277/pictory_r1_16_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/pictory_r1_detail_860.jpg" border="0" width="860" height="554" width_o="860" height_o="554" src_o="http://payload.cargocollective.com/1/0/27549/338277/pictory_r1_detail_o.jpg" align="left" /> Header image for the Pictory showcase Neighborhood Treasure. Pictroy is an incredible crowdsourced photo site. Created in collaboration with GOOD for The Neighborhoods Issue.Neighborhood Treasure on PictoryCompletedFebruary, 2010 Don't Kill Your Car, GOOD 017, The Transportation Issue<img src="http://payload.cargocollective.com/1/0/27549/338277/Prius_650.jpg" border="0" width="650" height="913" width_o="650" height_o="913" src_o="http://payload.cargocollective.com/1/0/27549/338277/Prius_650_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/Aptera_F_860_860.jpg" border="0" width="860" height="537" width_o="860" height_o="537" src_o="http://payload.cargocollective.com/1/0/27549/338277/Aptera_F_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/Econetic_F_860_860.jpg" border="0" width="860" height="464" width_o="860" height_o="464" src_o="http://payload.cargocollective.com/1/0/27549/338277/Econetic_F_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/iQ_F_860_860.jpg" border="0" width="860" height="473" width_o="860" height_o="473" src_o="http://payload.cargocollective.com/1/0/27549/338277/iQ_F_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338277/Tesla_F_860_860.jpg" border="0" width="860" height="410" width_o="860" height_o="410" src_o="http://payload.cargocollective.com/1/0/27549/338277/Tesla_F_860_o.jpg" align="left" /> A series of illustrations for GOOD 017, The Transportation Issue. These are a few of the latest and greatest eco-friendly vehicles.Read "Don't Kill Your Car" on GOOD.isCompletedFebruary, 2009Art DirectorAtley G. Kasky Poolga, Look Again<img src="http://payload.cargocollective.com/1/0/27549/338277/final_illo_650.jpg" border="0" width="650" height="867" width_o="650" height_o="867" src_o="http://payload.cargocollective.com/1/0/27549/338277/final_illo_650_o.jpg" align="left" /> A skatboarding-themed iPad wallpaper for Barcelona-based Poolga. Poolga is provider of iPhone and iPad wallpapers made by world class illustrators and artitsts.Download this wallpaper for your iPhone or iPad at PoolgaCompletedJune, 2010 http://work.scharwath.com/Nike-Re-Run-Exhibition http://work.scharwath.com/following/work.scharwath.com/Nike-Re-Run-Exhibition Tue, 31 May 2011 06:33:14 +0000 Keith Scharwath 337102 Nike Re-Run Exhibition<img src="http://payload.cargocollective.com/1/0/27549/337102/DSC_0174_650.jpg" border="0" width="650" height="978" width_o="650" height_o="978" src_o="http://payload.cargocollective.com/1/0/27549/337102/DSC_0174_650_o.jpg" align="left" /> Project DescriptionRe-Run is a traveling exhibition created in conjunction with the re-release of some of Nike’s iconic vintage running shoes. The exhibition focuses on the running craze and the beginnings of Nike, but also includes commissioned artworks by contemporary artists and a modular graphic environment created to transport and immerses the viewer into the culture of the 1970s. The overall experience covers many of the important cultural phenomena from the period including punk, disco, biker gangs, Playboy Magazine, Exile on Main Street and the women’s lib movement. <img src="http://payload.cargocollective.com/1/0/27549/337102/new_grid2_860_860.jpg" border="0" width="860" height="537" width_o="860" height_o="537" src_o="http://payload.cargocollective.com/1/0/27549/337102/new_grid2_860_o.jpg" align="left" /> I designed over 300 unique panels which were inserted into the modular structure, growing the exhibition as it traveled from city to city.<img src="http://payload.cargocollective.com/1/0/27549/337102/miami_entrance_posters.jpg" border="0" width="650" height="1001" width_o="650" height_o="1001" src_o="http://payload.cargocollective.com/1/0/27549/337102/miami_entrance_posters_o.jpg" align="left" /> The show travelled to New York, Los Angeles, Portland and Miami, with a lot of really great artists participating as well. Andrew Jeffrey Wright, Tracy Nakayama, Scott Campbell, Jesse Spears, Steven Harrington, Kime Buzzelli, Mike Pare, eRock, Jo Ratcliff and Alexis Ross created pieces for the show.<img src="http://payload.cargocollective.com/1/0/27549/337102/DSC_0119_3_6_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/337102/DSC_0119_3_6_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/337102/DSC_0038_4_860.jpg" border="0" width="860" height="568" width_o="860" height_o="568" src_o="http://payload.cargocollective.com/1/0/27549/337102/DSC_0038_4_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/337102/DSC_0062_15_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/337102/DSC_0062_15_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/337102/1436095737_046b84cfdb_o_1_860.jpg" border="0" width="860" height="568" width_o="860" height_o="568" src_o="http://payload.cargocollective.com/1/0/27549/337102/1436095737_046b84cfdb_o_1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/337102/DSC_0178_16_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/337102/DSC_0178_16_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/337102/miami_new_1_860_860.jpg" border="0" width="860" height="610" width_o="860" height_o="610" src_o="http://payload.cargocollective.com/1/0/27549/337102/miami_new_1_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/337102/rerun_ks_11_14_860.jpg" border="0" width="860" height="606" width_o="860" height_o="606" src_o="http://payload.cargocollective.com/1/0/27549/337102/rerun_ks_11_14_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/337102/rerun_ks_8_860.jpg" border="0" width="860" height="568" width_o="860" height_o="568" src_o="http://payload.cargocollective.com/1/0/27549/337102/rerun_ks_8_o.jpg" align="left" /> 70’s cultural references: Blue Ribbon Sports, Steve Prefontaine, Eros Magazine, Women’s Lib, The Hell’s Angels, Marquee Moon, The Clash, The American Flag, Playboy, Herb Lubalin, Grandma’s Kitchen Wallpaper, the Pirelli Calendar, What’s Happening, Xanadu, Tommy, Bill Bowerman’s Waffle Iron, Female Facial Hair, The Computer, The Joy of Sex, Tube Sox, Tie-Dye,  a Tee-Pee, The Nike Cortez…Re-Run on Juxtapoz.comCompletedOctober, 2008Graphic DesignKeith ScharwathCurrated ByAaron Rose<img src="http://payload.cargocollective.com/1/0/27549/1522091/zig_zag_r2_860_860.png"> http://work.scharwath.com/Beautiful-Losers http://work.scharwath.com/following/work.scharwath.com/Beautiful-Losers Fri, 04 Feb 2011 01:21:38 +0000 Keith Scharwath 331956 Beautiful Losers<img src="http://payload.cargocollective.com/1/0/27549/331956/BL_Poster_new_650.jpg" border="0" width="650" height="964" width_o="650" height_o="964" src_o="http://payload.cargocollective.com/1/0/27549/331956/BL_Poster_new_650_o.jpg" align="left" /> Project DescriptionBeautiful Losers is a documentary film that traces the history of D.I.Y. culture, skateboarding and street art. The film is directed by Aaron Rose, and was released in 2008. I was hired by Mr. Rose to design all graphic materials for the film. This included theatrical posters, festival promotion, events and co-sponsored materials. The film's release was supported by Nike, and it's dvd release comes from the Beastie Boys' Ocilliscope productions.Watch it on Netflix Purchase the DVD<img src="http://payload.cargocollective.com/1/0/27549/331956/marquee_860_860.jpg" border="0" width="860" height="645" width_o="860" height_o="645" src_o="http://payload.cargocollective.com/1/0/27549/331956/marquee_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/331956/undfeated_650.jpg" border="0" width="650" height="923" width_o="650" height_o="923" src_o="http://payload.cargocollective.com/1/0/27549/331956/undfeated_650_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/331956/BL_butterfly_tongue_650.jpg" border="0" width="650" height="650" width_o="650" height_o="650" src_o="http://payload.cargocollective.com/1/0/27549/331956/BL_butterfly_tongue_650_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/331956/BL_movement_tongue_650.jpg" border="0" width="650" height="650" width_o="650" height_o="650" src_o="http://payload.cargocollective.com/1/0/27549/331956/BL_movement_tongue_650_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/331956/buttons_650.jpg" border="0" width="650" height="628" width_o="650" height_o="628" src_o="http://payload.cargocollective.com/1/0/27549/331956/buttons_650_o.jpg" align="left" /> CompletedApril, 2008DesignKeith ScharwathDirected ByAaron Rose Make Something Workshops<img src="http://payload.cargocollective.com/1/0/27549/331956/make_something_shirt_2_650.jpg" border="0" width="650" height="794" width_o="650" height_o="794" src_o="http://payload.cargocollective.com/1/0/27549/331956/make_something_shirt_2_650_o.jpg" align="left" /> The production team and artists featured in the film were also asked to help extended the Beautiful Losers spirit into classes for kids who no longer receive art education as part of a normal curriculum. This effort is called Make Something School.<img src="http://payload.cargocollective.com/1/0/27549/331956/MS-Keith-Scharwath_09_lrg_860_860.jpg" border="0" width="860" height="483" width_o="860" height_o="483" src_o="http://payload.cargocollective.com/1/0/27549/331956/MS-Keith-Scharwath_09_lrg_860_o.jpg" align="left" /> I created the design and promotional materials for this effort and taught a workshop where high school students created movie posters and promotional materials for film created by other students in other workshops. Make Something School is currently holding workshops at MOCA's Art In The Streets show in Los Angeles. http://work.scharwath.com/Hand-Painted http://work.scharwath.com/following/work.scharwath.com/Hand-Painted Wed, 19 Jan 2011 21:47:13 +0000 Keith Scharwath 338401 Blah, Blah, Blah<img src="http://payload.cargocollective.com/1/0/27549/338401/L1300150_r1_860.jpg" border="0" width="860" height="570" width_o="860" height_o="570" src_o="http://payload.cargocollective.com/1/0/27549/338401/L1300150_r1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/L1300165_r1_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/338401/L1300165_r1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/L1300146_r1_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/338401/L1300146_r1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/L1300141_r1_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/338401/L1300141_r1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/L1300157_r1_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/338401/L1300157_r1_o.jpg" align="left" /> Five hand-painted signs exploring the idea of text. Created for the group show Blah, Blah, Blah, at Parlor gallery in Asbury Park, NJ.CompletedApril, 2011Contributor<img src="http://payload.cargocollective.com/1/0/27549/338401/DSC_0054_650_r1.jpg" border="0" width="650" height="977" width_o="650" height_o="977" src_o="http://payload.cargocollective.com/1/0/27549/338401/DSC_0054_650_r1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/DSC_003_650.jpg" border="0" width="650" height="978" width_o="650" height_o="978" src_o="http://payload.cargocollective.com/1/0/27549/338401/DSC_003_650_o.jpg" align="left" /> Two hand-painted skateboard decks made for an online auction to benefit the youth-based charity Contributor. I painted a portrait on each board, one is Carl Sagan the world-famous astronomer, the other is of Dick Proenneke an Alaskan woodsman and filmmaker. CompletedOct, 2010 Make, Break, Collect, Connect<img src="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 12_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 12_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 11_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 11_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 10_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 10_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 09_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 09_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 07_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/338401/Frank Signs - 07_o.jpg" align="left" /> Four hand-painted signs commissioned by designer, writer, thinker Frank Chimero. Words, by Frank, layout and paint by me.CompletedMay, 2011Brain Freeze<img src="http://payload.cargocollective.com/1/0/27549/338401/reform_school_650.jpg" border="0" width="650" height="974" width_o="650" height_o="974" src_o="http://payload.cargocollective.com/1/0/27549/338401/reform_school_650_o.jpg" align="left" /> Brain Freeze is the third in my series of painted doors, made for Re:Form School a high profile group art show supporting education reform. NYC, 2010.CompletedOctober, 2010Open Door for Manifest Equality<img src="http://payload.cargocollective.com/1/0/27549/338401/whole_door_560.jpg" border="0" width="650" height="1091" width_o="650" height_o="1091" src_o="http://payload.cargocollective.com/1/0/27549/338401/whole_door_560_o.jpg" align="left" /> This is a reclaimed door I painted for Manifest Equality, a Los Angeles group art show supporting full and equal rights for all americans.CompletedMarch, 2010Keep Dreamin' for the RRReleased<img src="http://payload.cargocollective.com/1/0/27549/338401/rrr_650.jpg" border="0" width="650" height="1100" width_o="650" height_o="1100" src_o="http://payload.cargocollective.com/1/0/27549/338401/rrr_650_o.jpg" align="left" /> A recycled piece for RRReleased, a group show at the Surf Gallery in Laguna Beach. Enamel on reclaimed wood door.CompletedMarch, 2010<img src="http://payload.cargocollective.com/1/0/27549/1522091/zig_zag_r2_860_860.png"> http://work.scharwath.com/GOOD-Energy-Issue http://work.scharwath.com/following/work.scharwath.com/GOOD-Energy-Issue Tue, 11 Jan 2011 16:53:33 +0000 Keith Scharwath 925662 GOOD 22 The Energy Issue<img src="http://payload.cargocollective.com/1/0/27549/925662/L1290940_650.jpg" border="0" width="650" height="816" width_o="650" height_o="816" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290940_650_o.jpg" align="left" /> Project DescriptionGOOD 022, The Energy Issue, explores where energy comes from and how, as the climate change movement moves forward, we should deal with it. I worked with my frequent collaborator Atley G. Kasky to art direct and design the issue, with additional design support from GOOD's senior editorial designer Dylan C. Lathrop.The challenge we were faced with for this issue was visualizing energy. How do you represent something that you cannot easily see or touch? And how do you do so repeatedly over 96 pages?CompletedDecember, 2010Art Direction & DesignKeith ScharwathAtley G. KaskyDesignDylan C. Lathrop<img src="http://payload.cargocollective.com/1/0/27549/925662/L1290945_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290945_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290866_860.jpg" border="0" width="860" height="620" width_o="860" height_o="620" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290866_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290877_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290877_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290870_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290870_o.jpg" align="left" /> Our solution involved designing a graphic circuit that that flows through the entire issue. A fluorescent green spot ink also helped to make everything feel like it was "turned on."<img src="http://payload.cargocollective.com/1/0/27549/925662/L1290886_860.jpg" border="0" width="860" height="622" width_o="860" height_o="622" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290886_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290881_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290881_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290884_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290884_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290929_860.jpg" border="0" width="860" height="609" width_o="860" height_o="609" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290929_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290932_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290932_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290937_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290937_o.jpg" align="left" /> We also searched high and low for illustrators who were up to the challenge of making the invisible visible. This issue features illustration heavy weights like Jon Han, Wendy MacNaughton, Mikey Burton and Mathew Lyons.<img src="http://payload.cargocollective.com/1/0/27549/925662/L1290904_860.jpg" border="0" width="860" height="574" width_o="860" height_o="574" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290904_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290890_860.jpg" border="0" width="860" height="594" width_o="860" height_o="594" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290890_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290920_860.jpg" border="0" width="860" height="586" width_o="860" height_o="586" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290920_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/925662/L1290924_860.jpg" border="0" width="860" height="600" width_o="860" height_o="600" src_o="http://payload.cargocollective.com/1/0/27549/925662/L1290924_o.jpg" align="left" /> GOOD 022 also features my magnum opus, The GOOD Guide to Saving Energy. I illustrated this 16-page guide to saving energy at home, which is bound into the issue.Read the Energy Issue on GOOD.is<img src="http://payload.cargocollective.com/1/0/27549/1522091/zig_zag_r2_860_860.png"> http://work.scharwath.com/Longshot-Magazine http://work.scharwath.com/following/work.scharwath.com/Longshot-Magazine Sat, 18 Sep 2010 01:48:44 +0000 Keith Scharwath 641552 Longshot Magazine<img src="http://payload.cargocollective.com/1/0/27549/641552/DSC_0204.jpg" border="0" width="650" height="823" width_o="650" height_o="823" src_o="http://payload.cargocollective.com/1/0/27549/641552/DSC_0204_o.jpg" align="left" /> Project DescriptionLongshot magazine is a Knight-Batten award-winning experimental publication. Produced entirely over a period of just 48hours, the magazine represents an incredible use of technology and social media. I was asked by Longshot's editors Mat Honan, Alexis Madrigal and Sarah Rich to join their team as art director for Issue 1. http://work.scharwath.com/The-One-Club-Magazine http://work.scharwath.com/following/work.scharwath.com/The-One-Club-Magazine Sun, 01 Aug 2010 01:09:27 +0000 Keith Scharwath 542896 One Club Magazine<img src="http://payload.cargocollective.com/1/0/27549/542896/digital_fut.jpg" border="0" width="650" height="868" width_o="650" height_o="868" src_o="http://payload.cargocollective.com/1/0/27549/542896/digital_fut_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/toc_yellow.jpg" border="0" width="650" height="868" width_o="650" height_o="868" src_o="http://payload.cargocollective.com/1/0/27549/542896/toc_yellow_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/leche.jpg" border="0" width="650" height="868" width_o="650" height_o="868" src_o="http://payload.cargocollective.com/1/0/27549/542896/leche_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/10_years_650.jpg" border="0" width="650" height="868" width_o="650" height_o="868" src_o="http://payload.cargocollective.com/1/0/27549/542896/10_years_650_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/toc2.jpg" border="0" width="650" height="868" width_o="650" height_o="868" src_o="http://payload.cargocollective.com/1/0/27549/542896/toc2_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/red_650.jpg" border="0" width="650" height="868" width_o="650" height_o="868" src_o="http://payload.cargocollective.com/1/0/27549/542896/red_650_o.jpg" align="left" /> Project Descriptionone. a magazine is a creative journal published by The One Club, an organization comprised of some of New York's best advertising creatives. I developed this redesign of the publication while working as senior designer at Ogilvy's Brand Integration Group, in collaboration with Beth Elliott and Somi Kim. <img src="http://payload.cargocollective.com/1/0/27549/542896/magazine_photo_860_860.jpg" border="0" width="860" height="572" width_o="860" height_o="572" src_o="http://payload.cargocollective.com/1/0/27549/542896/magazine_photo_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/backpages-2_860_860.jpg" border="0" width="860" height="575" width_o="860" height_o="575" src_o="http://payload.cargocollective.com/1/0/27549/542896/backpages-2_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/editorial_1-1_860_860.jpg" border="0" width="860" height="575" width_o="860" height_o="575" src_o="http://payload.cargocollective.com/1/0/27549/542896/editorial_1-1_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/one_club_for_AIGA-6_860_860.jpg" border="0" width="860" height="575" width_o="860" height_o="575" src_o="http://payload.cargocollective.com/1/0/27549/542896/one_club_for_AIGA-6_860_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/0/27549/542896/one_club_for_AIGA-16_860_860.jpg" border="0" width="860" height="575" width_o="860" height_o="575" src_o="http://payload.cargocollective.com/1/0/27549/542896/one_club_for_AIGA-16_860_o.jpg" align="left" /> CompletedJune, 2006DesignKeith ScharwathBeth ElliottCreative DirectorSomi Kim<img src="http://payload.cargocollective.com/1/0/27549/1522091/zig_zag_r2_860_860.png">